|
Gantz (Japan, 2011) - Directed by Shinsuke Sato Strong early sections give the rare treat of expensive effects, chic sci-fi, and unflinching gore. Mixture of comic moments, continuous action, and accomplished visuals begins to wane toward the end as dramatic scenes play out a little too long and choreography becomes awkward. |
|
| #microreview #japan | |
Cite yourself at a vector of power
cut in the still bedroom curtains shedding
light on the ghost transformer’s perpetual
re-enactment of normative chest
compression ethnographically swapped
for your cavernous body-frame
galactically dispersed by your 209 signification
motors into airy nebulae within a limiting
matrix of intelligibility and your
xiphoid process completely fucked. For each
human bone add a tiny ghost augments out-
performing damn straight tiny their weight at
warp speed has a pure reiterative momentum tiny
coccyx with wings ghost. Distal phalanx
index ghost. Get 26 chains of discursive
production with each foot nailed down threads
of tiny speech act cut loose and spread
out over the valance like a toothbrush end
hacked off the central authoritative speech act
system spinal compaction tearing up
Spitzenleistung to the ghost-house.
Each atom and forelock near tugged
off in a performance of class which bisects
enigmatically with sleep paralysis and flips
open to reveal a movable centrepiece of
stardust and kittens. Breath through your
eyes under the rotary ghost surround fire
tears up the curtains and later resolves uniquely
quacking like self qua lack. On balance
malleus duck ghost on reflection ciliary
body ghost cat on the vibes spectral mouth-
roof goose-fat boils stuffed with whippet
ghosts surf on the soft unpalatable
self-bruxing Pharyngopalatine emanation
down to the glottal beach head on the
pillow radial slab section of two opposite-
polarity flux tubes into the nostril one
two inner-ear ghost bones three and
around to the vat of flaming antacid. Crowns
fall out. Fibrocartilage tugs loose and fogs
over. Stairwells dissolve. You fit
yourself down perfectly to the ground.


